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AVAILABLE PRINTSCurrently four different Giclée prints are each available in three different
sizes. The heavyweight fine art paper(310g) used is made from 100% natural smooth cotton rag and is acid free. To purchase a print please use the shopping basket system or alternatively please send a cheque to the address
found in the About Us & Help section, made payable to arenacreations. Upon receipt of the order, the print will
be despatched within 2 days by the first class post. Please contact
us for any further information. |
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The painting, ' Dust motes dancing in the Sunbeams ' or simply ' Sunbeams ', below is probably one of the best known works by Hammershøi. It gained great admiration from his critics and peers alike who commented favourably on the way Hammershøi illuminated the passing dust with sunlight from the window. Notice that there is no window furniture and no door hinges are visible, which allows for the feeling of isolation the artist wanted to create. Another element demonstrating this feeling are the virtually opaque window panes, not allowing the view from the outside world to venture in. Hammershøi painted this scene many times. The original painting is now held by the Ordrupgaard Museum in Copenhagen
(photograph by Pernille Klemp). This painting is also often known as 'Dust
Motes Dancing in the Sunbeams' but this title was probably invented by
Alfred Bramsen and Sophus Michaëlis, the publishers of his first
catalogue. Hammershøi preferred the name Sunbeams or Sunshine. The
image(below left) shows the Hammershøis apartment on Strandgade -
moving over the image will enlarge it. This is also the view back to the
window in the Sunbeams painting. |
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'Sunbeams' (Dust Motes Dancing in the Sunbeams) Vilhelm Hammershøi 1900 |
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Landscape from Lejre, 1905 (oil on canvas) by Hammershĝi, Vilhelm (1864-1916) İ Nationalmuseum, Stockholm, Sweden. Lejre is on the Zealand(Sjælland) island not far from Copenhagen and it is where Hammershĝi often stayed in the summer. Although he painted landscapes less frequently, this painting displays the obvious elements of Hammershĝi's style. For example, the focus is on the foreground with only glimpses of the trees and rolling hills behind, showing that elusive nature in his work. There are also no people shown, even though they may have been present at the time of painting, leading to that general feeling of emptiness and isolation. |
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Landscape from Lejre Vilhelm Hammershøi 1905 |
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The painting below is called 'In the Bedroom' and dates from 1896. The original is oil on canvas and is painted in the Hammershĝis' dwelling in Ny Bakkehus in the Frederiksberg quarter of Copenhagen. The original painting is now held by the Göteborgs konstmuseum. Photograph by Lars Noord. |
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In the Bedroom Vilhelm Hammershøi 1896 |
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The painting below is called 'Montague Street, London' and dates from 1905 when Hammershĝi visited the city from November 1905 to January 1906. The original is oil on canvas and it shows the view from the Hammershĝis' dwelling in Great Russell Street, with the British Museum on the left. The original painting is now held by the Ny Carlsberg Glyptotek in Copenhagen. |
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Montague Street, London Vilhelm Hammershøi 1905 |
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